PSID Students Revive historic structures in JUXTAPOSE: Espasyo at Panahon

Old, historic structures and new design ideas come to life in  JUXTAPOSE: Espasyo at Panahon,  the Philippine School of Interior Design (PSID) Advance Class of 2018 exhibit  happening from Oct. 1 – 31, 2018 at the Santolan Town Plaza in San Juan City.

The PSID graduation exhibit explores adaptive reuse as a solution to design problems by repurposing old buildings or sites for a function other than what it was originally built for.

Co-presented by Santolan Town Plaza and in partnership with the National Commission for Culture and the Arts (NCCA), the exhibit showcases 17 booths that challenge proponents of cultural heritage conservation, developers, and the audience to find creative solutions in the restoration and rehabilitation of historic structures. It also seeks to impart a sense of heritage to Filipinos with a further understanding and appreciation of our cultural and historical identity.

The exhibit is divided into three galleries: Tahanan, Pangkalakal, and Pang-industriya, where forgotten historical structures are given relevance once again and given design concepts such as bars, cafes, specialty stores, wellness centers, among others.

The Tahanan gallery focuses on residential buildings like the iconic Bahay na Bato, and features booths such as “The bar beneath…in San Juan”, “The Vigan Atelier”, “Small Space, Big Living”, “Modern Filipino Haven”, “Bridal Boudoir”, and the “Marahuyo Spa and Tea House”.

The Pangkalakal gallery presents booths reminiscent of Escolta and Avenida Rizal’s commercial streetscapes like the “La Moneda Bookshop and Café”, “CC Café + Creatives”, “Little Café Museum”, “Café 308”, “Kusina Aduana”, and “Below Zero Gelateria”.

he Pang-industriya gallery highlights design solutions for old industrial sites as can be seen in the booths “13 Fit Street”, “Dor-Moderno”, “Station No. 15”, “Polo Estacion”, and “KM 102 Gentleman’s Barber Lounge”.

JUXTAPOSE proudly shares this celebration of heritage and ingenuity with Abenson, All Home, Apo Floors, Boysen, Cafe Ilustrado, CW Home Depot, Designery, Edison Electric Integrated Inc., Eubiq, Fineza Decorative Renderers, Fyrelyn Industries, Habitat, HMT Industries, Icon Graphics, Ilaw Atbp./LitesPlus, Jo-Liza Arts & Antiques, Keystone Lamps & Shades, La Europa Ceramica, Matimco, Stockwell Café + Lounge, Schema, Spectrum by Larry’s, Tierra Plants, Toto, and Uratex.

BOOTH 1: The Bar Beneath...in San Juan

MEMBERS: Andrew Nieves, Merryl Ngo-Dee, Rosemarie Tapay, Jessica Pedreno

Tucked away in a quiet area of San Juan is the Castro House. Built in 1933 by Sps. Melquiades & Victoria Castro, the house hides a 15 sqm bomb shelter underneath its kitchen floor. This unique feature inspired the group to transform it into a speakeasy. Multi-localism, referring to an awareness of foreign cultures and imbibing them locally, is used as a concept for our design—which was achieved by combining the intimate allure of a speakeasy, the spartan look of a bomb shelter, and the familiar elements of Filipino style.

BOOTH 2: The Vigan Atelier

MEMBERS: Donna Causapin, Lara Ong, Ana Roble, Nikka Merro

A well-known tourist spot in Vigan, Calle Crisologo is home to heritage houses, some of which have been converted into inns, museums, restaurants, and souvenir shops. Inspired by the architectural elements of the Cabildo Ancestral House in Calle Crisologo and the rich culture surrounding it, the group came up with an interior that seeks to embody its distinctive Spanish colonial character. Because of its location, the group decided to repurpose the space into an atelier, showcasing the works of an outstanding Filipino couturier.

BOOTH 3: Small Space, Big Living

MEMBERS: Cess Ang, Nina Magana, Mae Matias, Cariz Yam

Built in 1929, the Tañada ancestral house was purchased by the late Sen. Lorenzo M. Tañada and his wife in the early 1950s, where they raised their family of 9. The grounds were later on split among their children, until such time that only the main house remained on a much smaller plot of land.

A stroke of wild imagination and a little creativity is all it takes to reimagine the Tañada ancestral house into a modern residential space. Trends in residential living have seen major changes throughout the years. Developers are building vertically and compact living has become the norm in order to maximize square footage. 

BOOTH 4: Modern Filipino Haven

MEMBERS: Kim Tigue, Kristine Escober, Pam Lachica, Mary Teng

Built in 1927, the Laurel Ancestral House is one of the first houses built along F. Benitez St. in San Juan.  Four generations of Laurels have lived within its walls and ownership still remains in the family. In 2010, major renovation efforts were undertaken to ensure the structural integrity of the house remained intact.

Given its location within a residential neighborhood in San Juan, the group has chosen to adaptively reuse Laurel’s Ancestral House as a Private Spa. The booth consists of three areas—the massage area, lounge area and tub area. As an ode to the house’s original architectural details, the group has decided to use Modern Filipino as the spa’s design theme.  

BOOTH 5: Bridal Boudoir

MEMBERS: Janz Go, Faye Cascante, Jaja Jagunap

Situated in a quiet neighborhood in the city of San Juan is the Castro House. Built in 1933 by Sps. Melquiades and Victoria Castro, the Castro House has been a family home since its construction. Because foot traffic is relatively low in the area, the group has rethought the space as an events hall.

Along the side of the house is a spacious patio where an intimate gathering, such as a private wedding, can take place. Inside, there is a roomy and spacious living area on one side and a dining room on the other side. The second floor holds four bedrooms, one of which the group has decided to highlight as a holding room for a bride preparing for her big day.

BOOTH 6: Marahuyo Spa & Tea House

MEMBERS: Alissa Villareal, Sam Javier, Chloe Nabayo, Kiana Umali

The Punzalan Ancestral House was one of the homes of Atanasia Aniversario, popularly known during her time as Kabesang Tana, who was the owner of one of the largest fortunes in Taal. Since being built in the 1900s, the house has seen generations of the family come and go. Owing to its strategic location, the house has since been converted to a tourist inn. Taking the idea one step further, the group proposes to add a spa and teahouse to the existing inn in order to maximize the business potential of the site.

The spa will center on the Filipino ancient art of healing or ‘hilot’ with the use of volcanic rock massage, while the teahouse will highlight special herbal teas grown right in the backyard of the house.

BOOTH 7: La Moneda Bookshop & Cafe

MEMBERS: Alexis Casas, Tin Jaspio, Lauren Laudico, Hannah Tan

Intramuros today is a hubbub of activity—from students plying their routes to nearby schools, to vendors selling their wares, and to tourists exploring the cobblestoned streets. Within this microcosm of Manila life, we envision the Aduana Building revived as a bustling commercial building with a bookshop and café, attracting tourists and locals alike.

La Moneda Bookshop and Café takes inspiration from the history of the Aduana as the Mint House or Casa de Moneda, where the first Philippine coins were made. To echo this pivotal moment, the overall design of the space reflects the lustrous shine of the coin—from the artwork showcased against the coin wall to the copper and metallic touches in the fixtures and fabrics used.

BOOTH 8: CC (Cafe+Creatives)

MEMBERS: Liz Catadman, Joyce Gozos, Geline Ignacio, Elvira Pareja

The former PSID Building located at 2230 Pasong Tamo Street in Makati City is one of the iconic buildings designed by Architect and Interior Designer Lor Calma. Built during the 1960s, the building boasts of a contemporary modern design not common during that era.

The space that the group chose to adaptively reuse in this heritage building is the hallway and entrance to the school.  There are three (3) distinct elements that can be found—the wooden wall inscribed with baybayin, the adobe stone wall, and the steel gate made of wrought iron grills in all its details. Focusing on the above-mentioned elements, the group has chosen to reimagine the space as a cafe where creatives can meet and discuss ideas, or simply to chill and absorb the vibe of the place.  

BOOTH 9: Little Cafe Museum

MEMBERS: Karl Ascano, Jerome Tinio, Erika Uramoto

The Philippine School of Interior Design can trace back its beginnings to 1967, when it first launched its four-term basic course.  Designed by Architect Lor Calma, the Philippine School of Interior Design, then called the Philippine Center of Interior Design, was housed in a levitating building built in the modern international style. Located along the stretch of Pasong Tamo in Makati, the building stands out among its peers with its distinctive features. No detail was also spared inside with one wall featuring an adobe stone finish, while another wooden wall is inscribed with baybayin. Furthermore, details such as the paint-splattered floor and the minimalist brass staircase, coupled with the vast windows looking outwards creates a bold statement that is ephemeral yet timeless. Truly, the architecture and architectural interiors showcase the best of 1950s modernism movement.

BOOTH 10: Cafe 308

MEMBERS: Abi Lazo

Designed in a neoclassical and beaux-arts style, the Regina Building is one of the few buildings in Escolta that has survived the horrors of World War II. The building boasts of timeless design elements such as pedimented windows, balusters, bas-reliefs, and sculptural groups. Due to its location in the heart of Binondo, the group reimagined the space as a coffee bar that caters to men and women who are always on-the-go yet who would need their caffeine boost for the day.

BOOTH 11: Kusina Aduana

MEMBERS: Chelsea Chua, Pau Alarilla, Kat Garcia, Janessa Nakata

“Kusina Aduana” provides an experience to last a lifetime. It offers hands-on cooking classes in order for one to develop a deep appreciation of the flavors, history and culture of Filipino cuisine. Each participant will be able to prepare various dishes under the guidance of experienced local chefs at one’s own workstation.

Discover and try the local food scene by experiencing some of the country’s famous delicacies. Explore and experience a local market where your chef will teach and encourage you to taste along the way. Get an in-depth glimpse into Filipino cuisine through a cookery course, which may vary based on the season. 

BOOTH 12: Below Zero Gelateria

MEMBERS: Elaine Hiloma, Denise Tuazon, Gwency Sobrepena, Rein Dela Cruz

The Aduana building, which was once the headquarters for the Customs Office in Intramuros, has been reimagined and redesigned into a commercial complex. Within its premises is Below Zero Gelateria, where students and tourists alike can lounge around and beat the heat with the shop’s tasty selection.

The proposed Modern Classic design brings together a timeless yet subtle air of sophistication reminiscent of Imperial Manila with a hint of humility and simplicity. Polished concrete was used for both the walls and the flooring while and bricks were used to mimic the remains of the building. Neutral colors run throughout the design including a touch of violet, a color often associated with the color of royalty. Antique mirrors decorate the ceiling and for a part of the wall to give the shop a vintage look while tufted furniture pieces with metal elements provide it class and elegance. The shop’s products are then accentuated through pendant lights positioned above the counter.

BOOTH 13: 13 Fit Street

MEMBERS: Jess Arellano, Cee Reganion, Bianca Francisco, Mariel Consolacion

Tanduay Fire Station is the oldest operating fire station in Manila’s University Belt area. The group’s vision to turn the station into an edgy modern gym hinges on the concept of making going to the gym feel like a night out.

With this theme in mind, the station was outfitted with strip lighting, black walls and acrylic signages. Reaffirming the nightclub theme, a “dark and moody” atmosphere was created and accentuated by the lights. A hooped ladder, commonly used for industrial buildings, is used as a rack to hold weights and other gym accessories.  Recycled black rubber salvaged from the old fire station serves as the cycling studio’s flooring, while the rest of the area is outfitted with resilient wood planks to withstand heavy foot traffic. Furthermore, the fireman’s pole was also retained and used as an accessory for the pole dancing studio. Wood from the ceiling dating back to 1897 was also salvaged and remade into a bench.

BOOTH 14: Dor-Moderno

MEMBERS: Dudz Domasig, Jr., Lei Santelices, Naomi Ng, Celina Zaraspe, Rizza Agoncillo

Located at the corner of Madrid and San Fernando Streets in San Nicolas, Binondo, Manila, the San Nicolas Fire Station was established in 1901 as one of the first fire stations ever built in the country.

Due in part to its location, the group envisioned the San Nicolas Fire Station as a modern and contemporary dormitory with the interiors and facade inspired by the station’s original design. The aesthetic blueprint of this mid-century modern dormitory was inspired by the accent walls and metal works derived from its old form. After being repainted and replaced with a more contemporary interior design, certain elements in the original San Nicolas Fire Station such as the fireman’s pole were left intact.

BOOTH 15: Station No. 15

MEMBERS: Sophia Aguado, Alecsa Alcantara, Rani Lorenzana, Naomi Estiva

The Tanduay Fire Station in Paco, Manila was first established by Hugh Bonner, a former chief of the New York Fire Department. After the Japanese occupation, it houses a central fire station and firemen’s training school. Currently, it is now surrounded by universities and commercial buildings.

After visiting and experiencing the current situation of the building, the designers proposed to repurpose the storage room as a co-working bar.

BOOTH 16: Polo Estacion

MEMBERS: Carleen Choi-Kua, Chen Ferrer, Pauline Guiang, Kath Reston

Situated along a highway, the PNR Polo Station served as the base for military operations of the first Republic. Today, the group envisions it to be an Artisan market and local wine shop–creating an avenue to showcase the nation’s local produce. Brick walls, arched windows, and wall treatments were retained and balanced with contemporary elements of the bronze mirror, steel, and illuminated acrylic. The capiz and a careful selection of furniture and accessories help create the Rustic Contemporary meets Industrial design.

BOOTH 17: KM 102 Gentleman’s Barber Lounge

MEMBERS: Justine Dacudao, Christina Locsin, Dianne Gonzales, Jane Oracion

Built in 1892, the San Fernando Train Station is part of the Ferrocarril de Manila-Dagupan, the first railway system in the Philippines. Today, the San Fernando Train Station is reimagined into a Gentleman’s Barber Lounge.

The Gentleman’s Barber Lounge is a members-only establishment that offers today’s discerning gentleman a place where they can retreat to refresh their minds and bodies, replenish their energy, and network with their friends. There is a barber shop with traditional grooming services, a lounge with comfortable seating, and a music area that features a curated collection of vinyl records. Though inspired by the original interior architecture of the railway station, the Lounge embraces a contemporary aesthetic. The concept of mixing old and the new is translated not just by the experience offered in the Lounge but also in its design.

The exhibit is also supported by ANC, Business Mirror, INQUIRER.net, inqPOP!, Magic 89.9, Malaya Business Insight, Modern Living Home, The Manila Times, and WhenInManila.com.

PSID celebrates Golden Anniversary with a G.O.L.D. exhibit

In 1964, a young US educated designer Edith Oliveros joined Cancio-Calma and Associates. In the early stages of her career with firm, her strong presence in the design field created a stir when a number of young women expressed an interest in interior design and architecture. These young women mostly wives and daughters belonging to the upper class families learned about the craft first hand by going to jobsites or attending coordination meeting with clients.

At that time she was teaching design at the Philippine Womens University and her employers suggested that it would probably be an excellent idea to consider a more formal classroom program for those who what to learn about interior design and Edith became part of a committee that develop an academic certificate program of the study and practice of interior design

The curriculum used then was based on the one being offered by the New York School of interior design that includes fundamental subjects such as elements and principles of Interior Design as well as Mechanical Drawing, Art History Color Theory,  Perspective Drawing and Color Rendering. Classroom learning was augmented with practical, hands on experience in Cancio-Calma’s furniture company and showrooms.

At that time the straightforward approach to design education unimpeded by academic prerequisites were considered revolutionary as it facilitated learning for those who were more mature than regular college students.

It was in June of 1967 when the Philippine School for Interior Design first opened its doors in Makati and the school rapidly grew in statue  with its rising number of enrollees and its highly professional and dynamic learning environment that helped elevate its reputation as the leader in interior design education.

Fast forward five decades later, As the PSID now celebrates its Golden Anniversary, it looks back at its illustrious past with an exhibit aptly named G.O.L.D. featuring the works of its 72 interior design  graduating students in 3 galleries of 24 elegant sophisticated and excellently designed interiors.

Five decades of excellence in Interior Design education, and still, the Philippine School of Interior Design continuously soars and remains to be the undisputed premiere school for Interior Design. In its 50 years, the school has produced some of the finest interior designers in the industry and students who continuously top the board exams every year. This illustrious past meets the future movers and shakers of the design world as PSID mounts “GOLD: Glamorous, Opulent, and Luxurious Designs”, a graduation exhibit slated on October 1-31 at Uptown Bonifacio Mall in Bonifacio Global City.

The Vito Selma Chair

As the school celebrates its golden anniversary, GOLD will showcase luxurious and glamorous designs that also celebrate comfort, functionality, opulence, and cost efficiency.

Co-presented by Megaworld, and mounted in cooperation with Boysen, Schema, Shell Canvas, La Europa, Designery, Daikin, and Tecson Flowers, the exhibit is set to showcase an array of 24 exquisitely-designed spaces that highlight the trends of the decades in which the school has offered design students quality training mixed with the aesthetic of luxury, opulence, and glamour.

For the first time in PSID’s history of graduation exhibits, the school’s students, alumni, and faculty have joined forces and showcase their brightest design ideas for GOLD. The exhibit will be divided into three galleries.

The Students Gallery will exhibit interiors conceptualized and constructed by the 72 pupils of PSID Advanced Class of 2017, as well as students from the PSID-AHLEN Institute. The graduating students will showcase design concepts that capture the essence of luxury, opulence, and glamour as finishes and materials take center stage to elicit an ambiance that caters to sophistication and sense of style.

Meanwhile, the Alumni Gallery is a “blast from the past” of sorts with already established PSID alumni such as Chitz Legaspi and Lalyn Nivera participating again in a graduation exhibit. It is a way for the alumni to relive the challenges and experiences of creating a booth for the graduation exhibit and apply what they have learned, both from the school and in the practice to evoke a sense of nostalgia.

Also a first for the PSID exhibit is the Faculty Gallery. Select professors and instructors of the PSID, namely Michael Pizarro, Mark Perez and Vianca Anonuevo, Gino and Karen Abrera, Jigs Adefuin, Mary Anne Bulanadi, and Chat Fores will also showcase their works to help commemorate the school’s anniversary. Pitted side-by-side with the works of PSID students both past and present, the Faculty Gallery will be a testament to PSID’s elite design training.

“GOLD” is a carefully planned, extensively researched exhibit that perfectly celebrates PSID’s five decades of design education. For the past half-century, PSID has been known to produce groundbreaking exhibits that become the benchmark of interior design shows in the academe, and are considered go-to events for architects, fellow interior designers, design enthusiasts, and the general public to learn more about world-class Filipino design and innovative interiors that come to life. PSID brings interior design a notch higher each year, presenting exhibits that challenge the graduating batch to showcase their repertoire of design skills and the PSID mark of excellence.

This is one of my personal favorite booth from the PSID's GOLD exhibit. Booth No.17's DEN by Gino and Karen Abrera. The Kintsuku Room. 

Retro Living Room Ideas and Decor Inspirations from the Class of PSID 2016

When I stepped inside the PSID Gallery booths. It brought memories from the past, back from my high school days to the early 90s. I never appreciate art then, but I have been to some of the best interior home design to say the least, from my friends to classmates and relatives during those times. The nostalgia and effect of the "past" booth made a lasting recall and I am wishing someone would take me back to my past to relive and tweak it to a happier now with a Warren Platner design inspired living room in mind.

PSID Advanced Class of 2016 launches Past, Present and Future and took us to a journey of timeline of design, trends and styles through ”Evolution" last September 22 at the Square Building, Greenfield District, Shaw Boulevard, Mandaluyong City.

To the Past, Present and Future booths that I have checked out, I have my personal favorite which is the Warren Platner booth because of its retro style back to the 60s vibe chair.  The look of the decade is reminiscent to the Beatles era with its splash of salmon, flame and mint colors.

If you are in for a retro vibe, now is the time to inject a hint of retro charm into your living room. Colors like salmon and purple makes chic and fashionable, simple retro decor can often make a big difference to the ambiance of any living space. Which makes me want to build my own house now inspired of course from the Warren Platner booth of the Past.

Warren Platner was an American architect and interior designer that produced a furniture collection that has proved to be a continuing icon of 1960s modernism. He is also famed with designing several prominent interiors in New York City, including headquarters offices for the Ford Foundation building and the original Windows on the World restaurant, atop the World Trade Center.

The look of the decade from which the renowned interior designer, Warren Platner, came from displays boldness in shapes, colors and patterns. It traces us back to the 'midcentury cool theme during the 1960s, brought to Dining Room today; showing that the Retro Style is highly applicable in todays setting. The strategical play of the different design elements creates a perfect balance between a vivacious and a warm, inviting atmosphere-perfect for a more interesting, spiced up contemporary space. This booth is for the young and the young at heart, adventurous go-getters. See how the designers have evolved retro styling with, .

1. It makes the room bright, lively and exciting with just the right tints, tones and shades-it is, 

2. Toned down by the other design elements brought out by the wood and tl-ie bricks, of which      communicated the warm and welcoming feel of the room througli. its texture.

3. The lights add more personality to the room and complete the retro-feel together with the creative repurposed objects such as the luggages used as shelves, retro cameras as wall sconces and the wall mounted television with a retro-frame fixed. 

4. Finally, the touch of elegance and luxury does it all for a graceful glam by the steel wire works of Platner. Inspired from his design style, we also did an open plan from which xou can see the entire area already, and a picture window witli a seat attached to the niche, from which is inspired by his work, 'Windows on the World" atop World Trade Center. The drop ceiling designed in a symmetrical curve breaks the rigid wood slats making an entire soft yet striking look-paired with circular drop ceiling with a sky window on center. Lighter shades of wood used on chevron flooring for more controlled patterns just right and suitable for the room.

"The whole is greater than the sum of its parts"  Aristotle.

All of which shows personality and sentimental value put together in an interior piece. Studied work and well calculated ergonomics, color matters, materials and methods put together the Retro Dining Room for the young and successful fashion entrepreneur and influencer, Yoyo Cao. It's for a very adventurous, creative, and assertive person like you, too.

MEMBERS:

PATRICIA RIANNA ANGELES, ROMUALDO EDUARDO ANSELMO, PETER PAUL ASCANO
ELISABETH ELISHA CABALLAS, JOANA MAE CIPRIANO, KARLA ANGELINE DOMINGO
DENISE CAMILLE VELASCO, JOLINA PAULA TURQUEZA

The second favorite is a Finn Juhl inspired booth from the Past, because Im a sucker to retro design and feel. This booth is instagram worthy with the splashes of color and design.   If youre a travel blogger, this booth will inspire you.

The approach of Finn Juhl design has been deeply inspired from the 45 chair which breaks the traditional upholstered armrests or which breaks from the tradition of upholstered armrests. Without the armrest, Finn Juhl was able to give function and comfort to the chair because of its curves.

"We feel strongly about its symbolism that we decided for it to became our inspiration for our floor plan . Our color scheme focused on earthy colors following the notion of Finn Juhl's style and furniture to be organic. A minimalist, we also reflected Finn Juhl's simple but sublime style in our design of the den . The simple yet well thought-of design from Finn Juhl translates and inspires our modern den".

MEMBERS:
ADRIENNE JO ALONZO, KLARISSE FLORES, MA. MICHELLE FRANCESCA HILAHAN
JASMINE LORRAINE MEDENCELES, BILLY JOE OSIAS, DAYANOR TAN

The dynamic nature of design through the past, present and future is the centerpiece of "Evolution,” the graduation exhibit of the Philippine School of Interior Design

(PSlD) Advanced Class of 2016, slated from September 29-October 31, 2016 at the Square Building, Greenfield District, Shaw Boulevard, Mandaluyong City. in celebration of PSlD’s 49th year, ”Evolution" will take exhibit guests on a journey through a timeline of design trends, styles and designs from past, present, and future.

Mounted in cooperation with Devant, Uratex, Boysen, Hafele, Bosch, Blanco Germany, Gorenje, Dexterton, La Europa Ceramica, Songdream, Nordlux, Matimco, AG Murals, Mity Mike, Larry’s Curtain, Mainline, Fineza, and Ilaw Atbp, the exhibit is set to showcase 24 exquisitely~ designed spaces that represent different time periods and various inspiration from the past, the present, and the future.

Vintage trends and classic designs take center stage in the Past gallery. Showcasing how mid-century design styles have influenced today’s interior design standards, the Past gallery will take exhibit-goers through a trip down memory lane with looks inspired by the 1940s to the 1970s. Booths will capture the essence of illustrious designers from this time period such as Finn Juhl, Eero Aarnio, Alvar Aalto, Eero Saarinen, Charles Eames, Hans Wegner, Warren Platner, and Arne Jacobsen.

Meanwhile, the Present gallery breathes new life to timeless design styles and gives mm a contemporary spin. Classic styles meet modern trends in an up-to date gallery that will scuss the eclectic nature of present-day design. Styles such as Tropical, Filipino, Japanese, Mediterranean, Chinese, Moorish, Victorian, and Baroque are presented in an unexpected yet elegant fusion.

Giving exhibit-goers a glimpse of what's to come in design is the Future Gallery. The student designers have conducted thorough research to come up with fearless forecasts on what the future of design looks like based on the trends today.  Promising possible trends to be covered include Avant Garde Industrial, Tech and Trendy, Metallic Glam, Rustic Luxe, Eclectic elegance,  Organic Opulence, Design Deconstructed, and Funk Art.

Evolution” is a carefully planned, extensively researched exhibit that marks the countdown to PSlD's 50th anniversary in 2017. For decades now, PSID has been known to produce groundbreaking exhibits that become the benchmark of interior design shows in the academe, and are considered go-to events for architects, fellow interior designers, design enthusiasts, and the general public to learn more about world-class Filipino design and see innovative interiors come to life. PSID brings interior design a notch higher each year, presenting exhibits that challenge the graduating batch to showcase their repertoire of design skills and the PSID mark of excellence.

Take a peak at other countries through PSID’s “Globalscapes”

One of the most exciting and most enriching things one can do is to travel. You get to learn so much, from art and architecture to local customs to even spirituality, all while having fun. Every country has something very unique to offer visitors.

However, going on a trip around the world can be quite expensive. Now, you can do just that while marveling at exquisitely-designed spaces for free as the Philippine School of Interior Design (PSID) Advanced Class of 2014 holds “Globalscapes”, a graduation exhibit running from Oct. 1-31 at the Super Sale Hall of SM North EDSA, Quezon City.

Marking the 47th year of PSID, this year’s exhibit showcases 22 exquisitely-designed spaces that showcase the beauty and cultural richness across six continents. The students not only took into account their assigned country’s culture but also basic design principles and ergonomics.

"What we want visitors to the exhibit to feel is that they have traveled around the world. At the same time, we want them to get to know a country through our exhibit,” says PSID Advanced Class of 2014 advisor Nicky Jardenil. The exhibit is divided into different continents.

 One of the booths in the Africa section is Egypt, an elegant kitchen design by Michelle Almanzor, Pamela Carunungan, Samantha Flores, Patrice Huang, and Christinne Maron featuring the black and gold motif of luxurious Egyptian temples. The booth features pyramid-shaped lighting with settings for cooking and entertaining, marble countertops and island, custom-designed seating inspired by the Egyptian klismos chair, and a fully-stocked wine cellar. The kitchen also features clever and practical storage solutions such as a cabinet in the kitchen columns, a built-in cabinet for pet bowls, and Press Memory cabinets and drawers that open with just a slight push.

The South Africa dining room by Jasmine Bullecer, Paola Engracia, Michael Go, Felix Guerra, Nydia Ochoa, and Dana Uy that incorporates safari culture and Ndebele art. There’s also Kenya, a design for a living room by Cat Arambulo-Antonio, Myrrh Astrid Cortes, Kim Tan, Janis Tesoro, Kady Robles, and Sharlene Yu that takes inspiration from the kraal, the traditional houses of the Maasai tribe.

Turkey’s famous baths and mix of East and West are interpreted into a lovely Hagia Sophia-inspired bathroom space by VitoyBernabaye, Lauren Chua, Shirley Chua, Tina Mendoza, and Daphne Ong. The space features a walk-through layout, a luxurious tub area , and a mix of Christian and Muslim design elements

“Turkey is the only country that’s both in Europe and Asia, so we wanted to combine design elements from East and West. To us, there was no better place to look for inspiration than the Hagia Sophia,” says group member Vitoy Bernabaye.

The vibrant culture of the Americans also comes to life at the PSID exhibit. Ann Chua, Czarina Indigne, Arata Kobayashi, and Valerie San Antonio do an unexpected take on the USA through a kitchen design that incorporates Native American design elements, particularly that of the Lakota tribe. Their main inspiration is the dreamcatcher, a motif seen in the dreamcatcher-shaped ceiling and the twig-inspired chandelier. The kitchen is also painted in a bold mustard shade common in Native American cultures and an incorporation of Native American symbolism.

The South Africa dining room by Jasmine Bullecer, Paola Engracia, Michael Go, Felix Guerra, Nydia Ochoa, and Dana Uy that incorporates safari culture and Ndebele art. There’s also Kenya, a design for a living room by Cat Arambulo-Antonio, Myrrh Astrid Cortes, Kim Tan, Janis Tesoro, Kady Robles, and Sharlene Yu that takes inspiration from the kraal, the traditional houses of the Maasai tribe.

India by Josh Celiz, Janelle Edquiban, Rolini Pineda, Krizsha Soriano, and Cat Yao, a den design that incorporates traditional Indian design elements such as arches and a peacock chair; Cambodia by Ericka Dizon, Mariel Eseque, Hannah Lomibao, Angel Marquez, Patricia Morato, and Allen Sadsad, a design for a modern lanai taking inspiration from the Mekong River.

Japan by Jenina Cabiltes, Janine Cam, Sandy Dong, Sheena Dy, and Rhejayne Tan, a modern take on the traditional Japanese dining space inspired by crane’s nests found in the Japanese grasslands.

Sweden by Lotus Cantillas, Karl Hansley Carlos, Donna Dychinco, Julienne Mae Go, and Angeluz Millano, a modern bedroom design that combines clean, functional Scandinavian aesthetics with architectural elements from Sweden’s famous landmarks

Meanwhile, Europe is represented by Russia by Kaye de Jesus, IC Encinas, RhiaFlordeliza, Tony Lim, and Lesly Yiu, a kitchen design inspired by different periods of Russian art and architecture; ; Spain by Rhum Bonsol, Jericko Isidro, and Rusheen Velasco, a unique bathroom design inspired by the flamenco dance and with a combination of rustic colonial elements and a contemporary look; Italyby Anna Bardillon, Angela Bugayong, Jeanne Gumangan, MJ Pascasio, and Trish Garcia, a study room that gives a more global, cosmopolitan feel to traditional Italian design; Greece by Suzette Co, Camille Depano, Miguel Fedillaga, Amanda Ngo, and Tom Regis, a lanai design featuring a geometric vertical garden, a rich color palette of blues and golds; United Kingdom by Carlo Canto, Ann Bernadette Gabato, Marina Nicole Manuzon, and Kristine Lei Salarda, a modern living room design inspired by the country’s capital and top tourist destination: London; and Czech Republic by Natalia Alegre, Alexandra Esguerra, Kim So Hyun, Gabrielle Racelis, and Dea Carina Sy, a dining room design inspired by two of the Czech Republic’s most popular tourist attractions, beer festivals and castles.

 Australia by Donae Edusada, Kat Morales, and Sasa Rodriguez, is a living room design that combines modern tropical architecture elements with Australian Aboriginal culture. It features the use of different textures concrete, a sustainable design technique common in Australia.