One of the year's multi-awarded films, Universal Pictures' “The Theory of Everything,” the extraordinary story of one of the world’s greatest living minds, will be shown exclusively at Ayala Malls Cinemas nationwide starting February 25.
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Nominated for five Academy Awards including Best Picture, Best Actor (Eddie Redmayne), Best Actress (Felicity Jones) and Best Adapted Screenplay, the film is an inspiring biopic of renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.
Once a healthy, active young man, Hawking (Redmayne) received an earth-shattering diagnosis at 21 years of age. With Jane (Jones) fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of – time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed.
The film is based on the memoir Travelling to Infinity: My Life with Stephen, by Jane Hawking, and is directed by Academy Award winner James Marsh (“Man on Wire”).
Screenwriter and producer Anthony McCarten has long been fascinated by Professor Hawking, in particular the time and effort it took for the severely physically compromised man to write his seminal book. "He has illuminated physics for the world, and there is a sense of the profound in all his work," says McCarten. "That was enhanced by Stephen's own physical situation, which only allowed him to compose his communications at the agonizing rate of one word per minute; here, in one man, was an unprecedented juxtaposition of extraordinary mental prowess and extraordinary physical incapacity.
"His mind continued to open up one frontier after another in relentless exploration, so he was contracting yet also expanding which was apt for a man whose life is devoted to studying the universe."
McCarten was moved to read Jane Hawking's memoir Travelling to Infinity: My Life with Stephen. He discovered "a marvelous love story between two people, incredibly intense and challenged in the extreme: first by the physical decline, and then by the advent of fame in their lives. When news of his imminent death proved exaggerated, and two years became 10, then 20, their situation demanded that their love take bold and unorthodox forms if it was to survive. Theirs was a love story without precedent."
Producer Lisa Bruce remarks, "A lot of people don't even think about Stephen Hawking's domestic life, much less know that he walked and talked, and they certainly don't know that he fathered children. When you look deeper into his life, you see so much more than just the genius: you find a father, a husband, and under it all an eternal optimist.
"But, for me, the most powerful element of this story was the sense that he would never have achieved what he did without a partner like Jane."
The marriage would evolve and adapt while Stephen made significant strides in his work. Bruce notes,
McCarten asserts, "For them to have marched through that difficult terrain together and had a marriage that lasted decades was nothing less than a triumph. Stephen and Jane both show us all what human beings are capable of when they set their minds to something. But in writing the script, I had to allow for showing their moods and frustrations that were completely understandable. Our film celebrates Stephen, but it doesn't try to mythologize him; he had very strong negative emotions about the loss of his physical powers and we show that, as well as the highs and lows of the marriage. `The Theory of Everything' is as much about the physics of love as it is about the love of physics."
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